Sunday 27 February 2011

What Do You Believe Are the Most Influential Institutions in the British Film Industry and Why?

In the United Kingdom there are three main institutions in the British Film Industry, these are: the British Board of Film Classification (BBFC), the UK Film Council and the British Film Institute.

The BBFC has a strong influence on whether a film will be a flop or a success. If a film is aimed at a young audience, but is rated an 18, then the film could potentially become a flop due to the film not meeting it's target audience. On the other hand, if this problem occurs causing controversy, the film may be edited so that a version can be shown to a younger audience. For example, the success of the King's Speech worldwide made it more appealing to younger audiences, however in the United States the film was rated R (17 or over) for the use of strong language. Director Tom Hooper argued that it was speech therapy and should be exempt from the rating, a conclusion was made to create a "swear-less" version of the film so that a younger audience can see the film. This shows that Film Classification Boards can strongly affect the financial success of a film.

The UK Film Council was created in 2000 with government backing to help train and fund new British film making talent.  It has backed over 900 films, shorts and features generating over £700 million worldwide. For every pound taken by the Lottery funding money, £5 has been made, proving success. Inward investment from co-chairmen Tim Bevan (Working Title) and Tim Cagney helped the institution gain the money needed for production costs. The UK Film Council is good because it helps give support to film makers that show talent but don't have the money to produce it, a prime example of this would be Kidulthood. 

The UK Film Council works closely with Working Title (due to Tim Bevan being the co-chairman) and it is often the case that Working Title will be the production company for films being made through the UK Film Council. It has also worked with SeeSaw Films in the recent production of "The King's Speech" which reached a wider audience through the funding of the film council leading it to become an award winning success.

The BFI was created in 1929 with objectives to use films in education, to develop a public appretiation of film and to establish a "permanent central agency" for these aims. Today the BFI has it's central base at Southbank, London with an IMAX cinema and it organises the British Film Festival every year to help showcase the finest of Britain's films. The BFI's aim is to help the films reach a wider audience helping the film with financial success.

Overall, it is clear that the UK Film Council is most influential in the British Film Industy, giving funding and support when needed to ensure that the film is a success at reaching it's target audience.

Thursday 17 February 2011

SeeSaw Films

SeeSaw is an independent movie production company based in Sydney and London, founded in 2008 by Emile Sherman and Iain Canning. SeeSaw has film finance deals with both Paramount Pictures and Momentum. 


Filmography:

  • Control
  • $9.99
  • Disgrace
  • Candy
  • Hunger
  • Linear
  • The Tour of the Universe
  • The Kings of Mykonos
  • Oranges & Sunshine
  • The King's Speech

Tuesday 8 February 2011

Working Title Films

Who set it up and when?
Working Title films was set up by Tim Bevan and  Sarah Radclyffe in 1983. Sarah Radclyffe left and was replaced with Eric Fellner


What were they first successful with? How much money did they make?

Filmography
About a Boy 
Ali G Indahouse
Atonement
Bean
The Big Lebowski
Billy Elliot
Blood and Ice Cream Trilogy
The Boat That Rocked
Bob Roberts
The Borrowers (1997)
Bridget Jones's Diary
Bridget Jones: The Edge of Reason
Burn After Reading
The Calcium Kid
Captain Corelli's Mandolin
Catch a Fire
Chicago Joe and the Showgirl
The Comic Strip
Dead Man Walking
Definitely, Maybe
Drop Dead Fred
Edward II
Elizabeth
Elizabeth: The Golden Age
Fargo
For Queen and Country
40 Days and 40 Nights
Four Weddings and a Funeral
French Kiss
Frost/Nixon
Gone
Green Zone
The Guru
The Hi-Lo Country
Hippie Hippie Shake
Hot Fuzz
How to Talk to Girls
The Hudsucker Proxy
Inside I'm Dancing
The Interpreter
Johnny English
Johnny English Reborn
Loch Ness
London Kills Me
Long Time Dead
Love Actually
The Man Who Cried
The Man Who Wasn't There
Map of the Human Heart
Mickybo and Me
Moonlight and Valentino
Mr. Bean's Holiday
My Beautiful Laundrette
My Little Eye
Nanny McPhee
Nanny McPhee and the Big Bang
Ned Kelly (2003)
Notting Hill
O Brother, Where Art Thou?
Panther
Paperhouse
Paul (film)
Plunkett & Macleane
Posse (1993)
Pride & Prejudice (2005)
The Return of the Borrowers
Robin Hood (1991 film)
Romeo Is Bleeding
Rubin and Ed
Sammy and Rosie Get Laid
A Serious Man
The Shape of Things
Shaun of the Dead
Sixty Six
Smokin' Aces
Smokin' Aces 2: Assassins' Ball
The Soloist
State of Play
The Tall Guy
Thirteen
Thunderbirds
United 93
Wild Child
Wimbledon
Wish You Were Her
A World Apart
The Young Americans

Critical Successes

Financial Successes

How did they effect the reputation of the UK film industry?


When and why did they make their deal with universal?


Should all UK production companies do this?

Thursday 3 February 2011

Working Title: Richard Curtis

Richard Curtis is a British writer/director well known for his Romantic Comedy films. He also helped write for sitcoms such as Blackadder and The Vicar of Dibley.

Richard's debut film; "Four Weddings and a Funeral" was made with Working Title Films in 1994 on a low budget. The success of the film was so great that it helped boost both the name of Richard Curtis and Tim Bevan of Working Title Films. He went on to make another 10 films with Working Title that all became worldwide hits; Bridget Jones being the highest (26th highest grossing film of all time at $41,692,598 as of 2010).
Richard works closely with his wife Emma Freud who edits his scripts before they are submitted to Tim Bevan of Working Title.

In 2010, he joined as guest writer for Doctor Who; his episode on Van Gogh is a perfect example of Richard Curtis' style of work, covering emotional aspects of life: